His training, education, influences, artistic ties, and artistic practice are highly diverse, and his development has taken place in solitude — in his case, not in a linear fashion: it has unfolded within a web where aesthetic principles are not permanent, but can nonetheless contribute to interpretation.

Literature, philosophy, anthropology, history, photography, cinema, and other fields are the references that nurture his preferences.

Having naturally assimilated the abstract language of the milieu in which he moved, he began to develop series of works that are closely interrelated, and his emerging stylistic language evolved into a body of works offering a dual reading — a “bipolarity”: an exterior layer with restricted access, and an inner, isolated world accessible only through contemplation, via a peephole that distorted visual perception, displacing the viewer, making them feel elsewhere or out of place, and undermining their mental security. Each work became, in a sense, a portable space or installation.

From the complexity of sculptural materials, he moved towards the material simplicity of painting; and in his paintings he seeks to animate space, light, and objects — the same concerns that had been present in his later sculptures, and where themes of gender, solitude (voluntary or involuntary), isolation, action, passivity, portraiture, the gaze, the gesture, time, the fleeting moment rescued from oblivion, all emerge — so as to endow its transient, ephemeral nature with permanence. Each work becomes a starting point that elicits intense emotions, sensations, and desires in the viewer, creating relationships that may intertwine with their own destiny.

He has exhibited in Paris, Lisbon, Bratislava, Madrid, Bilbao, Murcia, Alicante, and Vitoria.